Congratulations on the latest progress Marc and Frank. Thank you for all the hard work you have already put in and good luck with the Beta testing Peter. It is very exciting to see this project nearing a release date. Please add me to the list of definite and immediate buyers whenever the d8bridge is finally released.
I must say however that I am finding the tone of some posts rather strange, if not downright insulting to the hard work of the main contributors to the d8bridge project. I would have thought that the first sentiments that should be expressed when requesting one’s wish-list items would be: 'thank you for even making this request possible given your hard work and persistence in reverse-engineering the d8b'. What I am sensing a lot of is, "when will this be finished, why doesn't this do all that I want, in the way I want, and could you also do it for less, with a free trial period and possibly a discount if I were to wire up the cable myself”. Phrases like “I’m afraid we’ll be let down,” “it’s better than nothing, but not quite flexible,” “it just kills me that it completely throws all audio and monitoring functions out the window” come across as more than a little mean-spirited. What about this strange back-handed comment: “what you envision as your perfect implementation of this software might not align with other people's ideas/situations.” I understand that some of you may find Marc’s solution not to your liking, not fulfilling all your needs and desires, but it is his hard work that has got us to this point, and he deserves great credit for this.
Marc and Francois have been generous enough to ask for input and feature requests and have politely responded to queries and suggestions. They have even gone to the great effort of looking into creating a Mac version of the software and explained the programming difficulties this entails. They have been true gentlemen throughout.
I happen to totally agree with Marc’s approach in initially configuring the d8b as a 24 channel DAW control surface and leaving out all audio functionality. The d8b as DAW controller paradigm does however involve a significant additional outlay for those currently without outboard pres, converters, a DAW-audio-interface and some form of monitoring control. Modern AD/DA converters and DAW interfaces however are sonically superior, can be had for reasonable money and setting up your I/O in relation to the DAW is preferable for session recall and outboard integration. Given that the d8b would not pass audio in this scenario, the d8b clock function would not be a problem, as whatever converter/interface you use would take over this master clock role.
I realize that for people using the d8b as their primary audio interface this is not great news, however for those unwilling or unable to make the transition to this way of operating, there is nothing stopping you from continuing to use your d8b as your audio interface just as you have been. For those contemplating a change, the obvious downside of maybe having to upgrade some equipment does come with many significant benefits. You will not have to rely on an old, slow, limited and potentially unreliable hardware backend to keep your d8b console running into the future. The d8b console will now be controlled by a faster, more stable and upgradeable CPU backend. Using a modern DAW also allows access to the continuously increasing power of native computer processing, the option of higher sample rates, access to more sophisticated DAW project automation and audio editing, the ability to quickly change mixer views, as well as access to modern virtual instruments and plug-ins mixed via the d8b.
In summary, in-the-box mixing is most definitely a whole new way of working and has its own pluses and minuses. This d8b mod should be seen in this light and admired in its own right. For those using a DAW as the central hub of their studios, the d8bridge is revolutionary. For those not using a DAW, it is obviously up to you to weigh-up the pros and cons of making any changes to your workflow and production environment. Moving to an in-the-box recording process may be new and confusing; however the new paradigm has much to recommend it. The greatest virtue in my opinion is the massive choice and freedom made available to mix and match items to your needs and wants. Trying to capture too many functions in the one device is where many products fall apart. This makes upgrading, replacing or repairing any one component problematic in the future. Rather than having the d8b house your pres, converters, be your audio interface, mixer & monitoring controller, you can choose your own pres, converters, outboard, audio interface, with the d8b acting as an intuitive control surface that works with your DAW of choice. This is such a flexible production environment that can change and grow with you.
“Having your cake and eating it too” is something end users may have to work out for themselves. It is not Marc’s responsibility to cater to everyone’s preferences. Having the old and new paradigms co-exist isn’t really what I think the d8bridge is about. Maybe in a future phase two software update, however that is not for us end-users to demand or expect. A courteous and polite enquiry is more than acceptable, but sadly I haven’t observed that spirit at times in some recent posts. If and when Marc decides to adopt any additional audio functionality, release a Mac version, create a switch to allow an easy change-over from the old d8b to the new d8bridge is up to him and should be applauded and greeted with the credit it deserves.
What doesn’t seem to get mentioned often enough is that Marc and Francois have managed to break through the 8 channel HUI limit, doubled the d8b’s fader resolution, bypassed all the level and panning mismatches that were problematic with d8b midi mapping, significantly sped up the led metering, added scrolling and banking functions, taken control of the VFD and other master section buttons, in addition to more goodies that have yet to be revealed.
Marc, Francois and all the other contributors, thank you, thank you and thank you again for taking on this project. It is a brilliant idea, well executed and all handled with admirable patience and determination. I love my d8b, but I will surely love it even more as a comprehensive 24 channel DAW controller. I genuinely admire all that you have done and even more so the spirit in which it has been conducted.
Cheers and congratulations to you. I hope you get duly rewarded for all your hard work.
Kind regards,
George